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SILENCIUM LOQUOR

ÉDITEUR DE REGARDS

The world does not lack images.

It lacks ways of seeing.

SILENCIUM LOQUOR

Silencium Loquor chooses restraint.

An architecture, a material, a light, a forgotten object. Nothing is spectacular, yet everything deserves to be seen.

Each photograph begins on film, through cameras sometimes a century old. Not out of nostalgia, but because this choice imposes a different pace.

This is not a collection of journeys.
It is a collection of perspectives.

A photograph is not merely made to be looked at.
It is made to inhabit silence.

2026 SELECTION

A few perspectives.

A deliberately concise selection of black and white analogue photographs. The complete portfolio can be found further below.

Scansion, black and white analogue photograph of wooden posts on the foreshore
ScansionMARINES
Impareils, black and white analogue photograph of a diving platform above calm water
ImpareilsMARINES
Après l’amer, black and white analogue photograph of a wooden wreck
Après l’amerMARINES
Longtemps après, black and white analogue photograph with texture in the foreground and distant figures
Longtemps aprèsLES MATIÈRES DU TEMPS
Au chemin, black and white analogue photograph of a stone path leading towards the horizon
Au cheminZÉNITUDES
Derrière, black and white analogue photograph of a seated figure in a luminous square
DerrièreZÉNITUDES
Posée, black and white analogue photograph of a doll among vintage objects
PoséeLE PEUPLE DE PLASTIQUE
Le quatrième silence, black and white analogue photograph of aligned mannequin heads
Le quatrième silenceLE PEUPLE DE PLASTIQUE

PORTFOLIO 2026

The complete work
remains to be explored.

Marines. Les matières du temps. Zénitudes. Le peuple de plastique. The book brings together the 2026 selection, the photographic approach and the workshop practice of Silencium Loquor.

Download the portfolio PDF · 2026
THE WORKSHOP

The material of silence

This is where the works of Silencium Loquor take shape. Each work follows the same path. The gaze. The material. The paper. The wood. Then, time.

Hand-marking a piece of wood with a marking gauge in the Silencium Loquor workshop
Measure
Hand-sawing a piece of wood in the Silencium Loquor workshop
Cut
Hand-shaping a piece of wood with a plane in the Silencium Loquor workshop
Shape
01

The photograph

Medium-format Rolleiflex film camera, restored and maintained by Silencium Loquor.

02

The negative

Black and white films, developed in the artist’s own darkroom.

03

The Fine Art print

Fine Art pigment print using a 12-colour ink system, produced by a specialist workshop in Rennes, France.

04

The paper

Hahnemühle Photo Rag 308 gsm, mounted on 2 mm Dibond.

05

The handcrafted frame

Selected solid woods, handcrafted in France. Hand-finished in the Silencium workshop and traditionally French-polished with shellac.

THE WORK

An image.
An object.

Silencium Loquor's photographs are meant to leave the screen. Paper, support, wood and finish are as much part of the work as the image itself.

Fine Art prints are made on Hahnemühle Photo Rag paper. Solid wood frames are handcrafted in France and hand-finished in the Silencium workshop. Some works are available as signed, numbered editions.

Detail of handcrafted work on a solid wood photographic frame

SILENCIUM LOQUOR

ÉDITEUR DE REGARDS

The rest belongs to the gaze.

Some works naturally find their place.
Others begin with a dialogue.

contact@silenciumloquor.com silenciumloquor.com

For professionals